Sarah Lucas
Sarah Lucas’ “Lionheart” for Parkett 42 was cast in both a brass and a lead version (image 3). Image 1 shows the positive prototype (right) and its intermediary negative silicone cast (left), which then was used to form a positive wax cast. The latter was next covered with its negative plaster form, from which it was melted and “lost”. Finally the melted brass resp. lead was poured back into the now empty plaster form (image 2).
Sarah Lucas’ edition
Parkett Vol. 45
Sarah Lucas’ “Lionheart” for Parkett 42 was cast in both a brass and a lead version (image 3). Image 1 shows the positive prototype (right) and its intermediary negative silicone cast (left), which then was used to form a positive wax cast. The latter was next covered with its negative plaster form, from which it was melted and “lost”. Finally the melted brass resp. lead was poured back into the now empty plaster form (image 2).
Sarah Lucas’ edition
Parkett Vol. 45
Sarah Lucas’ “Lionheart” for Parkett 42 was cast in both a brass and a lead version (image 3). Image 1 shows the positive prototype (right) and its intermediary negative silicone cast (left), which then was used to form a positive wax cast. The latter was next covered with its negative plaster form, from which it was melted and “lost”. Finally the melted brass resp. lead was poured back into the now empty plaster form (image 2).
Sarah Lucas’ edition
Parkett Vol. 45