Parkett Vol. 39 - 1994 | Felix Gonzalez-Torres, Wolfgang Laib
Felix Gonzalez-Torres
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Wolfgang Laib
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Insert: Roni Horn (PDF)
Spine: Jean-Jacques Rullier
Cumulus:
On politics and independent art spaces in France by Eric Troncy (PDF)
On feeling at home by Meyer Vaisman (PDF)
Miscellaneous:
Matthew Barney by Neville Wakefield (PDF)
Out of print. To inquire about sold out books, contact us
Felix Gonzalez-Torres
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Wolfgang Laib
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Insert: Roni Horn (PDF)
Spine: Jean-Jacques Rullier
Cumulus:
On politics and independent art spaces in France by Eric Troncy (PDF)
On feeling at home by Meyer Vaisman (PDF)
Miscellaneous:
Matthew Barney by Neville Wakefield (PDF)
Out of print. To inquire about sold out books, contact us
Felix Gonzalez-Torres
Read a selected text (PDF)
View edition
Wolfgang Laib
Read a selected text (PDF)
View edition
Insert: Roni Horn (PDF)
Spine: Jean-Jacques Rullier
Cumulus:
On politics and independent art spaces in France by Eric Troncy (PDF)
On feeling at home by Meyer Vaisman (PDF)
Miscellaneous:
Matthew Barney by Neville Wakefield (PDF)
Out of print. To inquire about sold out books, contact us
Browse Selected Texts and more on the Collaboration Artists
Artist Insert
Editorial
Like two purists who have put the heat on a traditionally cool domain, our collaboration artists in this issue—Felix Gonzalez-Torres (*1957) and Wolfgang Laib (*1950)—produce art that glows with precisely balanced gestures, subtly infiltrated signs, and cogent mental fields of force. Wolfgang Laib has chosen a spot in the Pyrenees, to form there a public place as a sanctuary of solitude, a place covered with "that energetic gold that is wax." (Jean-Marc Avrilla)
Felix Gonzalez-Torres spreads out his gigantic pictures on city billboards, symbolizing both the stillness of "being-with-oneself" and the publicness of outward thrust.
The wandering spirits of these artists take soundings of room and open space searching for the potentials of meaning. Laib and Gonzalez-Torres move the exterior world in and the interior world out; they fray the edges between outside and inside, between private and collective, treating them as pollen or curtains fluttering in the wind.
In the one case, the site of artistic practice is abstract and terrestrial; in the other, it is radically urban.
Gabriel Orozco's magical transformation of an old car, a Citroen DS, into a shape informed with a sense of privacy and self-confidence makes us wonder whether the thing has found its way into a gallery from the street or out of collective imagination and memory. Roni Horn's Insert invites us to take a mentally and physically stimulating journey to "the center of the earth."
Table of Content
Orozco in Paris by Claude Gintz
Kasseböhmer’s Trees by Walter Grasskamp
Felix Gonzalez-Torres
Travelogue by Nancy Spector
In Purgatory: The Work of Felix Gonzalez-Torres by Simon Watney
Social Works by Susan Tallman
Wolfgang Laib
A Room by Wolfgang Laib in the Centre Pompidou by Didier Semin
More than Myself by Clare Farrow
A Waxroom in the Mountain by Jean-Marc Avrilla
Medicine Man – Proposing a Context for Wolfgang Laib’s Work by Thoms McEvilley
Roni Horn, Insert
Matthew Barney’s Fornication with the Fabric of Space by Neville Wakefield
Burt Barr, Les Infos du Paradis by Lynne Cooke
In the Pool by Klaus Kertess
Merde in France, Cumulus from Europe by Eric Troncy
I Want to Be in America, Cumulus from America by Meyer Vaisman
Reality as Forgery by Laura Arici