Francesco Clemente | "Sorrow", 1994 | (for Parkett 40/41)
Read a Parkett Text on Francesco Clemente
Parkett Vol. 40/41
Quote from Parkett
“Is Clemente’s art about the unsolid, about flux? An art that doesn’t want to linger, to revise, to build up, work through? He seems to be moving from one picture to the next without stopping; you are watching them the same way, taking them in like a scent…”
Holland Cotter, Parkett No. 40/41, 1994
"Sorrow", 1994 (for Parkett 40/41)
Photo-etching,
printed by Peter Kneubühler, Zurich,
on handmade vellum paper,
11 4/8 x 8 1/8” (29,8 x 21 cm),
Ed. 60/XX, signed and numbered in pencil, verso.
Read a Parkett Text on Francesco Clemente
Parkett Vol. 40/41
Quote from Parkett
“Is Clemente’s art about the unsolid, about flux? An art that doesn’t want to linger, to revise, to build up, work through? He seems to be moving from one picture to the next without stopping; you are watching them the same way, taking them in like a scent…”
Holland Cotter, Parkett No. 40/41, 1994
"Sorrow", 1994 (for Parkett 40/41)
Photo-etching,
printed by Peter Kneubühler, Zurich,
on handmade vellum paper,
11 4/8 x 8 1/8” (29,8 x 21 cm),
Ed. 60/XX, signed and numbered in pencil, verso.
Read a Parkett Text on Francesco Clemente
Parkett Vol. 40/41
Quote from Parkett
“Is Clemente’s art about the unsolid, about flux? An art that doesn’t want to linger, to revise, to build up, work through? He seems to be moving from one picture to the next without stopping; you are watching them the same way, taking them in like a scent…”
Holland Cotter, Parkett No. 40/41, 1994
"Sorrow", 1994 (for Parkett 40/41)
Photo-etching,
printed by Peter Kneubühler, Zurich,
on handmade vellum paper,
11 4/8 x 8 1/8” (29,8 x 21 cm),
Ed. 60/XX, signed and numbered in pencil, verso.
Artist Video
In this short video excerpt Francesco Clemente talks about some aspects of his art.
Parkett Text
Read a Selected Text on Francesco Clemente
Parkett Cover
The cover of Parkett no. 40/41 visualizes the theme of the issue, snakes and ladders, which also appears in Clemente’s edition for Parkett.
