Francesco Clemente | "Reconciliation", 1986 | (for Parkett 9)
Read a Parkett Text on Francesco Clemente
Parkett Vol. 9
Quote from Parkett
“Is Clemente’s art about the unsolid, about flux? An art that doesn’t want to linger, to revise, to build up, work through? He seems to be moving from one picture to the next without stopping; you are watching them the same way, taking them in like a scent…”
Holland Cotter, Parkett No. 40/41, 1994
"Reconciliation", 1986 (for Parkett 9)
Drypoint etching on Somerset Satin,
bound in the magazine,
10 x 16 1/2” (25,5 x 42 cm),
printed by Jennifer Melby, New York,
Ed. 100/XV, signed bottom right, numbered bottom left.
Read a Parkett Text on Francesco Clemente
Parkett Vol. 9
Quote from Parkett
“Is Clemente’s art about the unsolid, about flux? An art that doesn’t want to linger, to revise, to build up, work through? He seems to be moving from one picture to the next without stopping; you are watching them the same way, taking them in like a scent…”
Holland Cotter, Parkett No. 40/41, 1994
"Reconciliation", 1986 (for Parkett 9)
Drypoint etching on Somerset Satin,
bound in the magazine,
10 x 16 1/2” (25,5 x 42 cm),
printed by Jennifer Melby, New York,
Ed. 100/XV, signed bottom right, numbered bottom left.
Read a Parkett Text on Francesco Clemente
Parkett Vol. 9
Quote from Parkett
“Is Clemente’s art about the unsolid, about flux? An art that doesn’t want to linger, to revise, to build up, work through? He seems to be moving from one picture to the next without stopping; you are watching them the same way, taking them in like a scent…”
Holland Cotter, Parkett No. 40/41, 1994
"Reconciliation", 1986 (for Parkett 9)
Drypoint etching on Somerset Satin,
bound in the magazine,
10 x 16 1/2” (25,5 x 42 cm),
printed by Jennifer Melby, New York,
Ed. 100/XV, signed bottom right, numbered bottom left.
Parkett Text
Read a Selected Text on Francesco Clemente
Parkett Cover
Francesco Clemente’s cover for Parkett no. 9
