The red and the black. With urgent, emphatic scribbles and deep, palpitating undertones, these etchings epitomize the skill of a graphic master.
Read a Parkett text on Martin Disler
Parkett Vol. 3
Quote from Parkett
“It seems as if Disler were trying to recall (modern) man’s immense capacity to record and store images in order to penetrate into the memory of mankind. Unperturbed he surrenders to the excitement and with invincible power paces off the boundaries of deeper and deeper dimensions.”
Bice Curiger, Parkett No. 3, 1984
"In the Erotic Space of a Head", 1984 (for Parkett 3)
Drypoint, aquatint, open bite and sugar lift
on Rives Wove, bound in the magazine,
10 x 8 1/4” (25,5 x 21 cm),
printed by Aldo Crommelynck, Paris,
Ed. 50/VIII, signed and numbered
Sold Out. For updates on availability, please inquire by joining our waiting list
The red and the black. With urgent, emphatic scribbles and deep, palpitating undertones, these etchings epitomize the skill of a graphic master.
Read a Parkett text on Martin Disler
Parkett Vol. 3
Quote from Parkett
“It seems as if Disler were trying to recall (modern) man’s immense capacity to record and store images in order to penetrate into the memory of mankind. Unperturbed he surrenders to the excitement and with invincible power paces off the boundaries of deeper and deeper dimensions.”
Bice Curiger, Parkett No. 3, 1984
"In the Erotic Space of a Head", 1984 (for Parkett 3)
Drypoint, aquatint, open bite and sugar lift
on Rives Wove, bound in the magazine,
10 x 8 1/4” (25,5 x 21 cm),
printed by Aldo Crommelynck, Paris,
Ed. 50/VIII, signed and numbered
Sold Out. For updates on availability, please inquire by joining our waiting list
Artist Document
A note by Martin Disler on the Alps, his exile, Swissness and artists that have influenced him, handwritten in German and typed in English
Parkett Text
Read a selected text on Martin Disler
Parkett Cover
Martin Disler’s cover for Parkett no. 3
