Katharina Grosse | "Rock", 2005 | (for Parkett 74)

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Read a Parkett text on Katharina Grosse
Parkett Vol. 74

Quote from Parkett
“Within my compositions, the colors have the function of distinguishing between different movements. I like working with a certain palette, one that is usually very raw and very cold. It’s extremely artificial, like Pontormo’s, for example. Then, within this spectrum, there are some colors that develop certain characteristics. A particular red, when it meets up with blue, doesn’t become purple but rather brown. I like this ambivalence that makes colors surrender their identity and yet still show signs of their origins.”
Katharina Grosse interview with Hans Ulrich Obrist, Parkett No. 74, 2005

"Rock", 2005 (for Parkett 74)
Carrara marble, acryl, each unique,
ca. 8 x 4 x 5 1/2” (20 x 10 x 14 cm),
15–20 lbs (7–10 kg),
Ed. 55/XXV, signed and numbered certificate

Sold Out. For updates on availability, please inquire by joining our waiting list

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Read a Parkett text on Katharina Grosse
Parkett Vol. 74

Quote from Parkett
“Within my compositions, the colors have the function of distinguishing between different movements. I like working with a certain palette, one that is usually very raw and very cold. It’s extremely artificial, like Pontormo’s, for example. Then, within this spectrum, there are some colors that develop certain characteristics. A particular red, when it meets up with blue, doesn’t become purple but rather brown. I like this ambivalence that makes colors surrender their identity and yet still show signs of their origins.”
Katharina Grosse interview with Hans Ulrich Obrist, Parkett No. 74, 2005

"Rock", 2005 (for Parkett 74)
Carrara marble, acryl, each unique,
ca. 8 x 4 x 5 1/2” (20 x 10 x 14 cm),
15–20 lbs (7–10 kg),
Ed. 55/XXV, signed and numbered certificate

Sold Out. For updates on availability, please inquire by joining our waiting list

Read a Parkett text on Katharina Grosse
Parkett Vol. 74

Quote from Parkett
“Within my compositions, the colors have the function of distinguishing between different movements. I like working with a certain palette, one that is usually very raw and very cold. It’s extremely artificial, like Pontormo’s, for example. Then, within this spectrum, there are some colors that develop certain characteristics. A particular red, when it meets up with blue, doesn’t become purple but rather brown. I like this ambivalence that makes colors surrender their identity and yet still show signs of their origins.”
Katharina Grosse interview with Hans Ulrich Obrist, Parkett No. 74, 2005

"Rock", 2005 (for Parkett 74)
Carrara marble, acryl, each unique,
ca. 8 x 4 x 5 1/2” (20 x 10 x 14 cm),
15–20 lbs (7–10 kg),
Ed. 55/XXV, signed and numbered certificate

Sold Out. For updates on availability, please inquire by joining our waiting list


Browse a selection of unique painted works from Katharina Grosse’s “Rock”, 2005:

Artist Document
Two of the still unpainted rocks upon arrival at Katharina Grosse’s studio.

grosse-katharina-marmorsteine-gross-klein-geschnitten.jpg
 
Parkett 74 Grosse Katharina.jpg

Artist Video
In this short video excerpt Katharina Grosse talks about some aspects of her art.