Anish Kapoor | "Untitled", 2003 | (for Parkett 69)
Read a Parkett text on Anish Kapoor
Parkett Vol. 69
Quote from Parkett
“I have always felt drawn,’ Kapoor has said, ‘towards some notion of fear in a very visual sense, towards sensations of falling, of being pulled inwards, of losing one’s sense of self.’ Spend time with any work and before long you will feel an unmistakable shift in the coordinates of space and you take for granted. That shift, that sliding of the ground from under your feet, is not always subtle, something you might miss if your mind is less than fully concentrated on the work before you.”
Norman Bryson, Parkett No. 69, 2003
"Untitled", 2003 (for Parkett 69)
Perspex, handtinted stocking, paint,
10 1/4 x 10 1/4 x 15” (26 x 26 x 38 cm),
Ed. 60/XX, signed and numbered certificate
Sold Out. For updates on availability, please inquire by joining our waiting list
Read a Parkett text on Anish Kapoor
Parkett Vol. 69
Quote from Parkett
“I have always felt drawn,’ Kapoor has said, ‘towards some notion of fear in a very visual sense, towards sensations of falling, of being pulled inwards, of losing one’s sense of self.’ Spend time with any work and before long you will feel an unmistakable shift in the coordinates of space and you take for granted. That shift, that sliding of the ground from under your feet, is not always subtle, something you might miss if your mind is less than fully concentrated on the work before you.”
Norman Bryson, Parkett No. 69, 2003
"Untitled", 2003 (for Parkett 69)
Perspex, handtinted stocking, paint,
10 1/4 x 10 1/4 x 15” (26 x 26 x 38 cm),
Ed. 60/XX, signed and numbered certificate
Sold Out. For updates on availability, please inquire by joining our waiting list
Read a Parkett text on Anish Kapoor
Parkett Vol. 69
Quote from Parkett
“I have always felt drawn,’ Kapoor has said, ‘towards some notion of fear in a very visual sense, towards sensations of falling, of being pulled inwards, of losing one’s sense of self.’ Spend time with any work and before long you will feel an unmistakable shift in the coordinates of space and you take for granted. That shift, that sliding of the ground from under your feet, is not always subtle, something you might miss if your mind is less than fully concentrated on the work before you.”
Norman Bryson, Parkett No. 69, 2003
"Untitled", 2003 (for Parkett 69)
Perspex, handtinted stocking, paint,
10 1/4 x 10 1/4 x 15” (26 x 26 x 38 cm),
Ed. 60/XX, signed and numbered certificate
Sold Out. For updates on availability, please inquire by joining our waiting list
Artist Document
Anish Kapoor‘s edition for Parkett 69 (2003) contained various spatial and sculptural ideas which the artist had earlier developed for his large scale installation "Marsyas" at the Tate Turbine Hall in London in 2002 (see Parkett 69 cover, right). His work for Parkett was installed within a transparent plexi cube that lets the viewer explore both the overall space and the red stretched textile sculpture within from various angles. The following images show some of Kapoor‘s models for this installation entitled "Towards Marsyas" from his exhibition at CAFA Beijing (2019).
Artists’ Contribution to Parkett 100/101
Anish Kapoor’s contribution to Parkett 100/101 ‘Solar Nights for Parkett’, 2017
Parkett Text
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Parkett Cover
Anish Kapoor’s cover for Parkett no. 69
