Sherrie Levine | "Two Shoes", 1992 | (for Parkett 32)
Read a Parkett text on Sherrie Levine
Parkett Vol. 32
Quote from Parkett
“It is into this story, the story of art history as narrative of becoming in which each proper name becomes a historical site, that Sherrie Levine has always ‘liberated’ her objects. But it is also where she has always found them.”
Howard Singerman, Parkett No. 32, 1992
"Two Shoes", 1992 (for Parkett 32)
Pair of children’s shoes, brown leather,
each 6 1/2 x 2 1/2 x 2 1/2” (15,8 x 6 x 5,8 cm),
Ed. 99/XXXVI, signed and numbered
Sold Out. For updates on availability, please inquire by joining our waiting list
Read a Parkett text on Sherrie Levine
Parkett Vol. 32
Quote from Parkett
“It is into this story, the story of art history as narrative of becoming in which each proper name becomes a historical site, that Sherrie Levine has always ‘liberated’ her objects. But it is also where she has always found them.”
Howard Singerman, Parkett No. 32, 1992
"Two Shoes", 1992 (for Parkett 32)
Pair of children’s shoes, brown leather,
each 6 1/2 x 2 1/2 x 2 1/2” (15,8 x 6 x 5,8 cm),
Ed. 99/XXXVI, signed and numbered
Sold Out. For updates on availability, please inquire by joining our waiting list
Read a Parkett text on Sherrie Levine
Parkett Vol. 32
Quote from Parkett
“It is into this story, the story of art history as narrative of becoming in which each proper name becomes a historical site, that Sherrie Levine has always ‘liberated’ her objects. But it is also where she has always found them.”
Howard Singerman, Parkett No. 32, 1992
"Two Shoes", 1992 (for Parkett 32)
Pair of children’s shoes, brown leather,
each 6 1/2 x 2 1/2 x 2 1/2” (15,8 x 6 x 5,8 cm),
Ed. 99/XXXVI, signed and numbered
Sold Out. For updates on availability, please inquire by joining our waiting list
Artist Document
“In the early seventies, when I first got out of school, I lived in Berkeley and taught in the area. One of the jobs I had was at San Jose State. I used to stop at a thrift shop on my way home. One day I went in and saw a carton of seventy-five pairs of little black shoes for fifty cents a piece. It was an offer I couldn’t refuse. I bought them. And when I moved to New York in 1975, I had nothing but a suitcase and this carton of shoes. Then I just kept them around, I never knew what to do with them. In 1977 Barbara Ess introduced me to Stefan Eins who was running the Three Mercer Street Store. He was looking for artists who wanted to show things ... that weren’t the kind of thing you find in a gallery, but which made reference to the store ... we did a show that took place on two weekends ... Subsequently, I received a lot of requests for a pair of the shoes, and so when Parkett wanted to do an edition with me, I asked them if they would be interested in reproducing these shoes, and they loved the idea.”
- Sherrie Levine, as quoted by the Tate Modern.
Parkett Text
Read a selected text on Sherrie Levine
Parkett Cover
Sherrie Levine and Imi Knoebel’s cover for Parkett no. 32
Artist Insert
Sherrie Levine’s Insert for Parkett no. 17
