Beatriz Milhazes | "Batucada", 2009 | (for Parkett 85)
Read a Parkett text on Beatriz Milhazes
Parkett Vol. 85
Quote from Parkett
”‘Time’ and ‘transformation’ are explored repeatedly in Beatriz Milhazes’ work in ways that confront and contradict the idea of painting as a static art form. One key to this lies in the surfaces of her works. Frequently her pictorial field is interrupted by various kinds of disturbances or aberrations. Erosions, apparent abrasions, paint losses …, revisions, reworkings … complicate and destabilize the integrity of the work’s surface.”
Tanya Barson, Parkett No. 85, 2009
"Batucada", 2009 (for Parkett 85)
18-color silkscreen print with foil stamping,
on Arches 88 paper, 300 g/m2, rein Hadern,
13 3/8 x 11 ¾” (35 x 30 cm),
printed by Atelier für Siebdruck, Lorenz Boegli, Zurich,
Edition of 45/XX, signed and numbered
Last available work from an otherwise sold-out edition. Complimentary shipping.
Read a Parkett text on Beatriz Milhazes
Parkett Vol. 85
Quote from Parkett
”‘Time’ and ‘transformation’ are explored repeatedly in Beatriz Milhazes’ work in ways that confront and contradict the idea of painting as a static art form. One key to this lies in the surfaces of her works. Frequently her pictorial field is interrupted by various kinds of disturbances or aberrations. Erosions, apparent abrasions, paint losses …, revisions, reworkings … complicate and destabilize the integrity of the work’s surface.”
Tanya Barson, Parkett No. 85, 2009
"Batucada", 2009 (for Parkett 85)
18-color silkscreen print with foil stamping,
on Arches 88 paper, 300 g/m2, rein Hadern,
13 3/8 x 11 ¾” (35 x 30 cm),
printed by Atelier für Siebdruck, Lorenz Boegli, Zurich,
Edition of 45/XX, signed and numbered
Last available work from an otherwise sold-out edition. Complimentary shipping.
Read a Parkett text on Beatriz Milhazes
Parkett Vol. 85
Quote from Parkett
”‘Time’ and ‘transformation’ are explored repeatedly in Beatriz Milhazes’ work in ways that confront and contradict the idea of painting as a static art form. One key to this lies in the surfaces of her works. Frequently her pictorial field is interrupted by various kinds of disturbances or aberrations. Erosions, apparent abrasions, paint losses …, revisions, reworkings … complicate and destabilize the integrity of the work’s surface.”
Tanya Barson, Parkett No. 85, 2009
"Batucada", 2009 (for Parkett 85)
18-color silkscreen print with foil stamping,
on Arches 88 paper, 300 g/m2, rein Hadern,
13 3/8 x 11 ¾” (35 x 30 cm),
printed by Atelier für Siebdruck, Lorenz Boegli, Zurich,
Edition of 45/XX, signed and numbered
Last available work from an otherwise sold-out edition. Complimentary shipping.
Contribution to Parkett no. 100/101
Beatriz Milhazes’ contribution to Parkett no. 1001/101
Parkett Text
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Artist Video
In this short video excerpt Beatriz Milhazes talks about some aspects of her art.