Marilyn Minter | "Absinthe", 2017 | (for Parkett 100/101)
Read a Parkett text on Marilyn Minter
Parkett Vol. 100/101
Quote from Parkett
"Minter's work, usually framed by the dialectic between cultural constructs of beauty and the gritty, gorgeous reality of our bodies, can also be seen as visual analogues to explosive female desire."
Nancy Spector, Parkett No. 100/101, 2017
"Absinthe", 2017 (for Parkett 100/101)
C-print, 24 x 16” (70 x 40 cm),
printed by Griffins Studio,
Ed. 35/ XV/ 15 APs, signed and numbered certificate
Read a Parkett text on Marilyn Minter
Parkett Vol. 100/101
Quote from Parkett
"Minter's work, usually framed by the dialectic between cultural constructs of beauty and the gritty, gorgeous reality of our bodies, can also be seen as visual analogues to explosive female desire."
Nancy Spector, Parkett No. 100/101, 2017
"Absinthe", 2017 (for Parkett 100/101)
C-print, 24 x 16” (70 x 40 cm),
printed by Griffins Studio,
Ed. 35/ XV/ 15 APs, signed and numbered certificate
Read a Parkett text on Marilyn Minter
Parkett Vol. 100/101
Quote from Parkett
"Minter's work, usually framed by the dialectic between cultural constructs of beauty and the gritty, gorgeous reality of our bodies, can also be seen as visual analogues to explosive female desire."
Nancy Spector, Parkett No. 100/101, 2017
"Absinthe", 2017 (for Parkett 100/101)
C-print, 24 x 16” (70 x 40 cm),
printed by Griffins Studio,
Ed. 35/ XV/ 15 APs, signed and numbered certificate
Artist Contribution to Parkett 100/101
“Parkett is my favorite art magazine. The only one I look forward to reading, the only one I learn something from.” - Marilyn Minter
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