Cady Noland | "(Not Yet Titled)", 1996 | (for Parkett 46)
Read a Parkett text on Cady Noland
Parkett Vol. 46
Quote from Parkett
“Imagine, then, each of Cady Noland’s installations as an entry into an ever-collecting, mortally transient, tactile encyclopedia of visceral Americana, where each entry is constructed of principled materials (for instance, aluminum), storied objects (handcuffs, rubber tires, Budweiser beer cans, bug sprayers, American flags, wire mesh baskets and fences), and embodied ephemera (Patty Hearst, Charles Manson, Wilbur Mills, Vince Foster): Art as encyclopedia, history as vaudeville.”
Thyrza Nichols Goodeve, Parkett No. 46, 1996
"(Not Yet Titled)", 1996 (for Parkett 46)
Cardboard, lacquer-based sanding sealer and aluminum enamel spray paint,
(please note: surface inflections differ from one piece to another),
56 x 54” (142 x 137 cm),
Ed. 60/XV, signed and numbered
Sold Out. For updates on availability, please inquire by joining our waiting list
Read a Parkett text on Cady Noland
Parkett Vol. 46
Quote from Parkett
“Imagine, then, each of Cady Noland’s installations as an entry into an ever-collecting, mortally transient, tactile encyclopedia of visceral Americana, where each entry is constructed of principled materials (for instance, aluminum), storied objects (handcuffs, rubber tires, Budweiser beer cans, bug sprayers, American flags, wire mesh baskets and fences), and embodied ephemera (Patty Hearst, Charles Manson, Wilbur Mills, Vince Foster): Art as encyclopedia, history as vaudeville.”
Thyrza Nichols Goodeve, Parkett No. 46, 1996
"(Not Yet Titled)", 1996 (for Parkett 46)
Cardboard, lacquer-based sanding sealer and aluminum enamel spray paint,
(please note: surface inflections differ from one piece to another),
56 x 54” (142 x 137 cm),
Ed. 60/XV, signed and numbered
Sold Out. For updates on availability, please inquire by joining our waiting list
Read a Parkett text on Cady Noland
Parkett Vol. 46
Quote from Parkett
“Imagine, then, each of Cady Noland’s installations as an entry into an ever-collecting, mortally transient, tactile encyclopedia of visceral Americana, where each entry is constructed of principled materials (for instance, aluminum), storied objects (handcuffs, rubber tires, Budweiser beer cans, bug sprayers, American flags, wire mesh baskets and fences), and embodied ephemera (Patty Hearst, Charles Manson, Wilbur Mills, Vince Foster): Art as encyclopedia, history as vaudeville.”
Thyrza Nichols Goodeve, Parkett No. 46, 1996
"(Not Yet Titled)", 1996 (for Parkett 46)
Cardboard, lacquer-based sanding sealer and aluminum enamel spray paint,
(please note: surface inflections differ from one piece to another),
56 x 54” (142 x 137 cm),
Ed. 60/XV, signed and numbered
Sold Out. For updates on availability, please inquire by joining our waiting list
Artist Document
Cady Noland outlines in this fax one of the possible variations for displaying her large, spray painted cardboard edition for Parkett 46.
The following photograph shows an installation view of Noland's work from Parkett's exhibition at MoMA, New York (next to works by Richard Artschwager and Günther Förg).
Parkett Text
Read a selected text on Cady Noland
Parkett Cover
Cady Noland’s work on the cover of Parkett no. 46
