Richard Phillips | “Miss Parkett“, 2004 | (for Parkett 71)
Read a Parkett text on RIchard Phillips
Parkett Vol. 71
Quote from Parkett
“Whatever the case, it is better NOT to see these pictures in reproduction, but to see the originals, live and physical, no matter how much they pretend to be infinitely reproductible. It is best to see them the way they claim they do not want to be seen: face-to-face. Because only then can one sense the special nature of the change and the prolonged sessions during which the artist appropriates this painting.”
Jutta Koether, Parkett No. 71, 2004
Additional Quote
“In this five-color lithograph by Richard Phillips, a seductress peers over her tattooed shoulder to meet the eye of the viewer. While elements of Phillips’s celebrated hyperrealist style are evinced here—the cover girl’s and model’s eyes, face, and hair are convincingly portrayed—Miss Parkett is also desirable on account of its playfulness, cropped composition, and vintage feel.” - Artspace
“Miss Parkett“, 2004 (for Parkett 71)
5-color lithograph on Somerset white paper,
paper size: 26 x 20 3/16” (66 x 51,3 cm),
image size: 21 1/4 x 16 1/16” (54 x 40,8 cm),
printed by Maurice Sanchez, Derrière l’Etoile Studio, New York,
Ed. 70/XXVI, signed and numbered
Sold Out. For updates on availability, please inquire by joining our waiting list
Read a Parkett text on RIchard Phillips
Parkett Vol. 71
Quote from Parkett
“Whatever the case, it is better NOT to see these pictures in reproduction, but to see the originals, live and physical, no matter how much they pretend to be infinitely reproductible. It is best to see them the way they claim they do not want to be seen: face-to-face. Because only then can one sense the special nature of the change and the prolonged sessions during which the artist appropriates this painting.”
Jutta Koether, Parkett No. 71, 2004
Additional Quote
“In this five-color lithograph by Richard Phillips, a seductress peers over her tattooed shoulder to meet the eye of the viewer. While elements of Phillips’s celebrated hyperrealist style are evinced here—the cover girl’s and model’s eyes, face, and hair are convincingly portrayed—Miss Parkett is also desirable on account of its playfulness, cropped composition, and vintage feel.” - Artspace
“Miss Parkett“, 2004 (for Parkett 71)
5-color lithograph on Somerset white paper,
paper size: 26 x 20 3/16” (66 x 51,3 cm),
image size: 21 1/4 x 16 1/16” (54 x 40,8 cm),
printed by Maurice Sanchez, Derrière l’Etoile Studio, New York,
Ed. 70/XXVI, signed and numbered
Sold Out. For updates on availability, please inquire by joining our waiting list
Read a Parkett text on RIchard Phillips
Parkett Vol. 71
Quote from Parkett
“Whatever the case, it is better NOT to see these pictures in reproduction, but to see the originals, live and physical, no matter how much they pretend to be infinitely reproductible. It is best to see them the way they claim they do not want to be seen: face-to-face. Because only then can one sense the special nature of the change and the prolonged sessions during which the artist appropriates this painting.”
Jutta Koether, Parkett No. 71, 2004
Additional Quote
“In this five-color lithograph by Richard Phillips, a seductress peers over her tattooed shoulder to meet the eye of the viewer. While elements of Phillips’s celebrated hyperrealist style are evinced here—the cover girl’s and model’s eyes, face, and hair are convincingly portrayed—Miss Parkett is also desirable on account of its playfulness, cropped composition, and vintage feel.” - Artspace
“Miss Parkett“, 2004 (for Parkett 71)
5-color lithograph on Somerset white paper,
paper size: 26 x 20 3/16” (66 x 51,3 cm),
image size: 21 1/4 x 16 1/16” (54 x 40,8 cm),
printed by Maurice Sanchez, Derrière l’Etoile Studio, New York,
Ed. 70/XXVI, signed and numbered
Sold Out. For updates on availability, please inquire by joining our waiting list
Artist Document
Richard Phillips' drawing for "Miss Parkett" takes shape. When completed and printed as a lithograph for Parkett 71 the image reversed.
