Read a Parkett text on Markus Raetz
Parkett Vol. 8
Quote from Parkett
“Since the 1960s, Markus Raetz has been playing with a perspective that is not mathematical but at once pragmatic and intuitive. It leads him to explore distortions obtained by certain—extravagances of perspective, sometimes pushed to the point of anamorphisis. Such works present a problematic of the function of sight, replacing the conventional hierarchy of the eye over the world.”
Claude Ritschard, Parkett No. 42, 1994
"Untitled", 1986 (for Parkett 8)
Aquatint and sugar lift on Zerkall-Vellum,
bound in the magazine,
10 x 16 1/2” (25,4 x 42 cm),
printed by Peter Kneubühler, Zurich,
Ed. 100/XV, signed and numbered
Read a Parkett text on Markus Raetz
Parkett Vol. 8
Quote from Parkett
“Since the 1960s, Markus Raetz has been playing with a perspective that is not mathematical but at once pragmatic and intuitive. It leads him to explore distortions obtained by certain—extravagances of perspective, sometimes pushed to the point of anamorphisis. Such works present a problematic of the function of sight, replacing the conventional hierarchy of the eye over the world.”
Claude Ritschard, Parkett No. 42, 1994
"Untitled", 1986 (for Parkett 8)
Aquatint and sugar lift on Zerkall-Vellum,
bound in the magazine,
10 x 16 1/2” (25,4 x 42 cm),
printed by Peter Kneubühler, Zurich,
Ed. 100/XV, signed and numbered
Artists’ Contribution to Parkett 100/101
Parkett Text
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Parkett Cover
Markus Raetz’s cover for Parkett no. 8
