Monika Sosnowska | "Fly Repellent", 2012 | (for Parkett 91)
Read a Parkett text on Monika Sosnowska
Parkett Vol. 91
Quote from Parkett
"Monika Sosnowska has constructed an autonomous language of sculpture out of a catalogue of abstract forms, but it is the imprint of the real that provides the tension within her objects and installations. The shapes her works take are always rooted in motifs drawn from existing buildings or architectural details, with their own nexus of meanings."
Joanna Mytkowska, Parkett No. 91, 2012
Additional Quote
“Monika Sosnowska's primary concern and medium of choice is space, be it of a physical, architectural, structural, or mental nature. Her perception-distorting, site-specific installations reveal the artist's talent for framing existing space in intelligent and unforeseen ways. Her installation for Parkett, “Fly Repellent”, a silently rotating, electrically driven wire with two plastic bags, thus creates a sense of quirkyness and slight unease, thereby demonstrating how inextricably linked architectural space is with psychological states.” -Fineartmultiple
"Fly Repellent", 2012 (for Parkett 91)
Two plastic bags, wire, electric motor, cable,
23 1/2” diameter, minimal distance to ceiling 13 3/4” (60 cm).
Ed. 35/XX, signed and numbered certificate
Read a Parkett text on Monika Sosnowska
Parkett Vol. 91
Quote from Parkett
"Monika Sosnowska has constructed an autonomous language of sculpture out of a catalogue of abstract forms, but it is the imprint of the real that provides the tension within her objects and installations. The shapes her works take are always rooted in motifs drawn from existing buildings or architectural details, with their own nexus of meanings."
Joanna Mytkowska, Parkett No. 91, 2012
Additional Quote
“Monika Sosnowska's primary concern and medium of choice is space, be it of a physical, architectural, structural, or mental nature. Her perception-distorting, site-specific installations reveal the artist's talent for framing existing space in intelligent and unforeseen ways. Her installation for Parkett, “Fly Repellent”, a silently rotating, electrically driven wire with two plastic bags, thus creates a sense of quirkyness and slight unease, thereby demonstrating how inextricably linked architectural space is with psychological states.” -Fineartmultiple
"Fly Repellent", 2012 (for Parkett 91)
Two plastic bags, wire, electric motor, cable,
23 1/2” diameter, minimal distance to ceiling 13 3/4” (60 cm).
Ed. 35/XX, signed and numbered certificate
Read a Parkett text on Monika Sosnowska
Parkett Vol. 91
Quote from Parkett
"Monika Sosnowska has constructed an autonomous language of sculpture out of a catalogue of abstract forms, but it is the imprint of the real that provides the tension within her objects and installations. The shapes her works take are always rooted in motifs drawn from existing buildings or architectural details, with their own nexus of meanings."
Joanna Mytkowska, Parkett No. 91, 2012
Additional Quote
“Monika Sosnowska's primary concern and medium of choice is space, be it of a physical, architectural, structural, or mental nature. Her perception-distorting, site-specific installations reveal the artist's talent for framing existing space in intelligent and unforeseen ways. Her installation for Parkett, “Fly Repellent”, a silently rotating, electrically driven wire with two plastic bags, thus creates a sense of quirkyness and slight unease, thereby demonstrating how inextricably linked architectural space is with psychological states.” -Fineartmultiple
"Fly Repellent", 2012 (for Parkett 91)
Two plastic bags, wire, electric motor, cable,
23 1/2” diameter, minimal distance to ceiling 13 3/4” (60 cm).
Ed. 35/XX, signed and numbered certificate
“Monika Sosnowska's primary concern and medium of choice is space, be it of a physical, architectural, structural, or mental nature. Her perception-distorting, site-specific installations reveal the artist's talent for framing existing space in intelligent and unforeseen ways. Her installation for Parkett, “Fly Repellent”, a silently rotating, electrically driven wire with two plastic bags, thus creates a sense of quirkyness and slight unease, thereby demonstrating how inextricably linked architectural space is with psychological states.” -Fineartmultiple
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