Sam Taylor-Wood | "Five Revolutionary Seconds XIV (Sketch)", 1999 | (for Parkett 55)
Read a Parkett text on Sam Taylor-Wood
Parkett Vol. 55
Quote from Parkett
“Not only does Sam Taylor-Wood construct a seamless yet heterogeneous space, in which people are both in close proximity, yet also infinitely distant, because, though in a mutually shared space, they inhabit another site: the scene of their private theater. Her photographic presentation is such that, even as it elicits our desire for narrative, it frustrates our hope for narrative coherence and closure.”
Elisabeth Bronfen, Parkett No. 55, 1999
"Five Revolutionary Seconds XIV (Sketch)", 1999 (for Parkett 55)
C-print,
360-degree panorama shot,
2 3/4 x 16 1/2” (6,9 x 49,1 cm),
Ed. 50/XX, signed and numbered
Very limited availability
Read a Parkett text on Sam Taylor-Wood
Parkett Vol. 55
Quote from Parkett
“Not only does Sam Taylor-Wood construct a seamless yet heterogeneous space, in which people are both in close proximity, yet also infinitely distant, because, though in a mutually shared space, they inhabit another site: the scene of their private theater. Her photographic presentation is such that, even as it elicits our desire for narrative, it frustrates our hope for narrative coherence and closure.”
Elisabeth Bronfen, Parkett No. 55, 1999
"Five Revolutionary Seconds XIV (Sketch)", 1999 (for Parkett 55)
C-print,
360-degree panorama shot,
2 3/4 x 16 1/2” (6,9 x 49,1 cm),
Ed. 50/XX, signed and numbered
Very limited availability
Read a Parkett text on Sam Taylor-Wood
Parkett Vol. 55
Quote from Parkett
“Not only does Sam Taylor-Wood construct a seamless yet heterogeneous space, in which people are both in close proximity, yet also infinitely distant, because, though in a mutually shared space, they inhabit another site: the scene of their private theater. Her photographic presentation is such that, even as it elicits our desire for narrative, it frustrates our hope for narrative coherence and closure.”
Elisabeth Bronfen, Parkett No. 55, 1999
"Five Revolutionary Seconds XIV (Sketch)", 1999 (for Parkett 55)
C-print,
360-degree panorama shot,
2 3/4 x 16 1/2” (6,9 x 49,1 cm),
Ed. 50/XX, signed and numbered
Very limited availability
Artist Video
In this short video excerpt Sam Taylor Wood talks about some aspects of her art.
Parkett Text
Read a selected text on Sam Taylor-Wood
(the text explores Taylor-Wood’s group of works “Five Revolutionary Seconds”, to which her edition for Parkett belongs to).
