Rachel Whiteread | "Switch", 1994 | (for Parkett 42)
Read a Parkett text on Rachel Whiteread
Parkett Vol. 42
Quote from Parkett
"I use furniture as a metaphor for human beings,’ says Whiteread. But as well as metaphor it is extension. Whiteread’s casts of sinks, baths, and mattresses make poetic play of the introversions and extroversions of the body they propose.”
Neville Wakefield, Parkett No. 42, 1994
"Switch", 1994 (for Parkett 42)
Object, plaster (prestia ortho) and brass,
3 1/2 x 3 1/2 x 1 1/8” (2,8 x 8,9 x 8,9 cm),
Ed. 60/XXV, signed and numbered
Sold Out. For updates on availability, please inquire by joining our waiting list
Read a Parkett text on Rachel Whiteread
Parkett Vol. 42
Quote from Parkett
"I use furniture as a metaphor for human beings,’ says Whiteread. But as well as metaphor it is extension. Whiteread’s casts of sinks, baths, and mattresses make poetic play of the introversions and extroversions of the body they propose.”
Neville Wakefield, Parkett No. 42, 1994
"Switch", 1994 (for Parkett 42)
Object, plaster (prestia ortho) and brass,
3 1/2 x 3 1/2 x 1 1/8” (2,8 x 8,9 x 8,9 cm),
Ed. 60/XXV, signed and numbered
Sold Out. For updates on availability, please inquire by joining our waiting list
Read a Parkett text on Rachel Whiteread
Parkett Vol. 42
Quote from Parkett
"I use furniture as a metaphor for human beings,’ says Whiteread. But as well as metaphor it is extension. Whiteread’s casts of sinks, baths, and mattresses make poetic play of the introversions and extroversions of the body they propose.”
Neville Wakefield, Parkett No. 42, 1994
"Switch", 1994 (for Parkett 42)
Object, plaster (prestia ortho) and brass,
3 1/2 x 3 1/2 x 1 1/8” (2,8 x 8,9 x 8,9 cm),
Ed. 60/XXV, signed and numbered
Sold Out. For updates on availability, please inquire by joining our waiting list
Artist Document
A letter from Rachel Whiteread with notes on images for her issue, and more.
Parkett Text
Read a selected text on Rachel Whiteread
Parkett Cover
Rachel Whiteread and Lawrence Weiner’s work on the cover of Parkett no. 42
